Matteo Thun wagers on white for a series of objects in porcelain created for Memphis, turned and shaped by hand. The attention of the observer is caught not by the color but by the unusual form of the objects, suggesting active participation in the experience. The Chad teapot (1981) disrupts the habitual characteristics of the object, thanks to a circular form with a hole in the middle.
Hand-turned and shaped white porcelain teapot with kiln-sublimated decorative decals.
